[6] Design for a house for the street front, possibly executed, c1786

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Robert and James Adam office drawings
- Town houses
  - London
    - Conduit Street, London, (unknown number), designs for a house, offices, and a garden porch, for Sir John Hussey Delaval, 1st Baron Delaval, possibly executed, c1786 (11)
      - Designs for a house, possibly executed, c1786 (8)

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Reference number

SM Adam volume 35/93

Purpose

[6] Design for a house for the street front, possibly executed, c1786

Aspect

Elevation of a three-and-a-half-storey, three-bay house, with a balustraded, pitched roof and a sunken basement. On the ground floor there is a central tripartite, balustraded window, articulated by Doric columns. To the right of this, there is a stepped entrance with a fan light, and to the left, a full-height window with a lunette. On the first floor there is a Venetian window articulated by Ionic columns, set within a relieving arch. On the second floor there is a central pedimented window, and in the upper register there are three-quarter-height windows

Scale

bar scale of 1 inch to 5 feet

Inscribed

Front to the Street of Lord Delavals house in Conduit St (underwritten in pencil)

Signed and dated

c1786
c1786

Medium and dimensions

Pen, pencil and wash on laid paper (270 x 470)

Hand

Possibly
Office hand, possibly Robert Morison

Verso

1 / 5 Groundplans / 2 Elevations / 1 Section / The [ _ _ _ ] Mr Rose Beckenham (?)

Watermark

PORTAL & BRIDGES

Literature

Bolton, 1922, Volume II, Index p. 36
King, 2001, Volume I, p. 423
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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