[15] Design for plaster finishings to the drawing room, Soffitt, 11 August 1791

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Wimpole Hall, Cambridgeshire: alterations to house and estate buildings for Philip Yorke, 3rd Earl of Hardwicke, 1790-1794; presentation drawing 1800; surveys 1818 (70)
    - Alterations to the house, 1790-1794, 1800 (28)
      - Designs and record drawing for plaster finishings to the drawing room, July and August 1791 (3)

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Reference number

SM 80/1/17

Purpose

[15] Design for plaster finishings to the drawing room, Soffitt, 11 August 1791

Aspect

Detail of soffit

Scale

Half the full Size

Inscribed

as above, Soffite of Arch to Drawing Room, The Earl of Hardwicke / Wimple; (verso) The Earl of Hardwicke / Soffite of arch to drawing room / Wimple

Signed and dated

11 August 1791
Copy Great Scotland Yard Aug^t11 1791; (verso) Aug^st11 1791

Medium and dimensions

pencil, pen and pink wash on laid paper with two fold marks (340 x 552)

Hand

Laing, David (1774--1856), draughtsman
David Laing (1774-1856, pupil 1790-1796)

Watermark

J Whatman

Notes

Drawing 15 has a design for a guilloche pattern for the soffits of the semicircular arches. The room was built with a Greek key motif in the soffits. The drawing was sent to Papworth on 11 August, after having been drawn by Laing the same day (Daybook 1791).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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