[3] Survey drawing of the north and south fronts, with details, datable to June 1790

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Wimpole Hall, Cambridgeshire: alterations to house and estate buildings for Philip Yorke, 3rd Earl of Hardwicke, 1790-1794; presentation drawing 1800; surveys 1818 (70)
    - Alterations to the house, 1790-1794, 1800 (28)
      - Survey drawings, 1790 (4)

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Reference number

SM 6/1/3 recto and verso

Purpose

[3] Survey drawing of the north and south fronts, with details, datable to June 1790

Aspect

South elevation; detail of doorcase; detail of cornice; detail of balustraded parapet; (verso) half-north elevation

Scale

bar scale of 1/8 inch to 1 foot; (verso) bar scale of 1/5 inch to 1 foot

Inscribed

Elevation of House at Wimpole, The Earl of Hardwicke, elevation lettered A, B and details lettered A, B, dimensions given; (verso) Wimple / Elevation by Guibert, dimensions given

Signed and dated

June 1790
datable to June 1790 (see Notes)

Medium and dimensions

Pen and pencil on laid paper with three fold marks and traces of red sealing wax (706 x 560)

Hand

Guibert, draughtsman
Guibert

Notes

Probably sent by post from Wimpole to Soane's office, having been made on site by the unidentified Guibert. Soane journeyed to Wimpole in June 1790 with Guibert to take surveys of the building. The drawings show the north and south elevations in both full and half elevation. Mouldings in the doorframe, cornice and parapet on the south front are detailed on drawing 3 and show the same design as drawing 1.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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