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The Library perspective corresponds with the plans of drawings 206 and 207, but the north wall (of the elevational section) has another arrangment of bookcases. The plaster ceiling is a shallow cross-vault ceiling.
The Library and Breakfast Room both held important pieces from Soane's collection, many bought specifically for Pitzhanger, including urns and vases, which seem to be indicated particularly in drawing 206 (even if the purchased articles are not specifically shown, the concept was clearly in Soane's mind at this time).
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Preliminary working drawings and designs for the interior, 3-6 February 1801 (3)
- [206] Preliminary working drawing and design for the interior, 3 and 5 February 1801
- [207] Preliminary working drawing and design for the interior, 6 February 1801
- [208] Preliminary working drawing and design for the interior, 3-6 February 1801