Inscribed
Monday 6 Ap[ri]l 1824 / Select Comm[ittee] / Present / Sir C[harles]. Long / Mr. Bankes Sen[ior] in the Chair / Mr Herries / Mr Goulburn _ Col[one]l Trench _ Mr W[illiam] Bankes _ Mr. Agar Ellis _ Mr. Wi[lliams]
It was remarked by one / of the Com[mitte]e that Sir C[harles]. Long / idea (which by the way was J[ames]. Wyatt / & came to Sir C[harles] L[ong] thro[ugh] Jeff[rey]. [Wyatt] – of / making the Court Chapels to / the Hall was a good thought!
The Area now occupied by the Court of Kings. Bench etc / to be railed in & [planned?] / Mr W[illiam]. Bankes
Mr. B[ankes] Sen[io]r. observed there / was to be a passage / between W[estminster]. Hall & the Court one entrance into / that passage would have been sufficient – / At last it was settled for me / to prepare two elevations for / a Gothic front one with a small / Oct[agonal] Tower & the other with Sq[uar]e Tower etc.
A level line from the N[orth]w[est]. Tower of Stone Building to be drawn from that Tower to the front Wall of / I Mr. Soane have seen many such lines in build[in]g. of the Court and [it] / would be scarcely visible Mr Bankes Sen[ior] to send Lord Harrowby / occasion _
Mr. Bankes & Mr. Williams again said no place could be more conveniant / Mr. Bankes S[e]n[io]r thought the passage between W[estmins]ter. Hall & the Courts should be / & the Courts [_] home to the Wall of West[minster] Hall (what business of the / [could] want a front.
Signed and dated
- 06/04/1824
Monday 6 Ap[ri]l 1824
Medium and dimensions
Pen, on wove paper (782 x 569)
Hand
Sir John Soane RA (1753 - 1837), architect
Watermark
J Whatman
Notes
The transcription of this text has much benefitted from the assistance of Sue Palmer.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation.
This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
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