[17] Finished drawing for a garden pavilion, 1764, unexecuted

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Robert and James Adam office drawings
- Projects known only by patron
  - Sir William Stanhope, unexecuted designs for a garden pavilion, either for Pope’s Villa in Twickenham or Eythrope House in Buckinghamshire, 1764 (19)
    - Preliminary design and fFinished drawings for a garden pavilion, 1764, unexecuted (7)

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Reference number

SM Adam volume 11/106

Purpose

[17] Finished drawing for a garden pavilion, 1764, unexecuted

Aspect

Plan of a circular ceiling within a circular building, containing a central patera encircled by a fan, bell flowers, rosettes, cable moulding, arabesques, medallions and urns, the whole encircled by the ceilings for other small spaces: four quadrilatral, screened by two columns, and ornamented with octagonal coffering enclosing rosettes; one circular, containing a central patera encircled by festoons, a fan, and rosettes; one elliptical, containing a central enclosed patera encircled by reed and ribbon, bows, swags, drops of calyx, and rosettes enclosed within wreaths; one rectangular, containing a central rosette encircled by a fan, and within a rectangular compartment framed by arabesques, calyx, anthemia and rosettes; and one hexagonal, containing a central rosette encircled by fluting, calyx, peltoid shields, and arabesques

Scale

bar scale of 3/8 inch to 1 foot

Inscribed

Cieing for the Temple

Signed and dated

1764
1764

Medium and dimensions

Pen and wash on laid paper (454 x 615)

Hand

Adam office hand, possibly Agostino Brunias

Literature

Bolton, 1922, Volume II, Index p. 57
King, 2001, Volume II, p. 218
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).