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  • image SM 69/7/1/v/a

Reference number

SM 69/7/1/v/a

Purpose

[205] Preliminary design, Court of Chancery, 6 April 1823

Aspect

Detail profiles and elevations of ceiling mouldings for the Court of Chancery, as executed

Scale

to a scale

Inscribed

A / B / small reed [_] dimensions given

Signed and dated

  • 06/04/1823
    6 April 182[3] / L[incolns]. I[nn]. F[ields].
    dated in accordance with known building campaign

Medium and dimensions

Pencil, pen, on wove paper (389 x 280, maximum dimensions)

Hand

Sir John Soane RA (1753 - 1837), architect

Notes

It is difficult to locate the partial details shown in this drawing. However, Summerson is right to associate these with the Court of Chancery (see note in drawing file). The upper right moulding agrees with that directly beneath the consoles supporting the opening for the lantern light. The central and lower details appear to correspond to the mouldings shown between the lantern light and the canopy arches of the ceiling (see SM 16/1/2). In the inscription, the final numeral of the date has been cropped by the edge of the sheet.

Literature

Summerson, annotated note in drawing file SM 69/7/1
Sawyer, 1999: p 539, footnote 1591

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).