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  • image SM 30/3/19

Reference number

SM 30/3/19

Purpose

[56] Survey drawing, 20 October 1800

Aspect

(Soane) Longitudinal Section of the House at Ealing in its present state

Scale

bar scale of 1/5 inch to 1 foot

Inscribed

as above, labelled (Soane) Level of Ground in front of the house, Cellar Floor, (pencil) floor of Cellar never known / to be wet, Base floor of new house at / 6 Inches above this level, 6.11 is really 7.4 / 5 allows for fall of Pavement in Ch and some dimensions given

Signed and dated

  • 20 October 1800
    (Soane) Mr Soane, Lincolns Inn Fields Oct 20th 1800

Medium and dimensions

Pen, pale red and sepia washes, partly pricked for transfer, on wove paper (519 x 677)

Hand

Possibly Seward, Henry Hake (1778--1848), draughtsman
Henry Hake Seward (1778-1848, pupil and assistant 1794-1808) or Thomas Sword (pupil 1789-1804) (Day Book 20 October 1800, Day Book 24 January 1801)
Possibly Thomas Sword, draughtsman
Henry Hake Seward (1778-1848, pupil and assistant 1794-1808) or Thomas Sword (pupil 1789-1804) (Day Book 20 October 1800, Day Book 24 January 1801)

Literature

J. Lever, Catalogue of the drawings of George Dance the Younger (1741-1825) and of George Dance the Elder (1695-1768) from the collection of Sir John Soane’s Museum, 2003, catalogue 68, pp.214-6

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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