Scale
bar scale of 1 inch to 10 feet
Inscribed
Plan of the [Principal] story of the Opera House shewing the Pit & lower Boxes with the Ballroom & Assembly rooms, the Tavern [_ _] [_ _ _] [_ _ _ _ _ _] [_ _ _] [_ _ _ _] [_ _ _ _ _ _] [_ _ _ _] (in pencil) / No 9 (in pencil) / Painting room 24 by 32.6 / 25.6 / 15.0 / 50.0 / 15.0 / 25.6 / Grand Assembly room for Dancing, Supping, or maskd Ballroom, Card playing &tc. 139 feet long by 32.6 wide / 15.6 / 60.0 / Great Assembly room for Entertainments &tc. 89.0 by 32.6 / 7.0 / Scenes / Scenes / 17.6 diam / 9.0 / Ridotto or Cotillion room 35 by 50 / 9.0 / Green room 17 by 28 / Kings stairs / Royal antechamber 17 by 28 / Tavern Parlor 21 by 20 / Tavern Parlor 23 by 21 / Anti room or Occasional Parlor 16 by 32 / Card room or Occasional Parlor 17 by 28.6 / Queen’s Stairs / Billiard room or Occasional Par[lor] 17 by 28.6 / faint pencil inscriptions
Signed and dated
Medium and dimensions
Pen, pencil and wash within a single ruled border on laid paper (1132 x 555)
Hand
Possibly
Office hand, possibly Robert Morison or Daniel Robertson
Verso
Notations, modern curatorial hand
Literature
Bolton, 1922, Volume II, Index p. 40
Sheppard, 1960, Volume XXIX, (i), p. 249
For a full list of literature references see scheme notes.
Level
Drawing
Exhibition history
Original Drawings of Robert and James Adam, Kenwood House, London, 1953
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
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it did so by assembling as exemplars surviving drawings by great Renaissance
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and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
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work as a student, his time in Italy and the drawings produced in the course of
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