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[2] Finished drawing for the first storey of the opera house, c1789, unexecuted
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Reference number
SM Adam volume 47/9
Purpose
[2] Finished drawing for the first storey of the opera house, c1789, unexecuted
Aspect
Plan of the first storey of the opera house, with the principal block formed with the central eleven bays receding, and with a stepped portico for the central five bays. Beyond this there are balconies leading to paired, curved staircases, which form the King’s and Queen’s stairs. In the southern part of the principal block there is a horse-shoe-shaped auditorium, with a curved north wall. The pit has bench seating, surrounded by boxes with an access passageway beyond. The stage is positioned to the south of the auditorium, and has colonnades and wing flats to the east and west. To the east of the auditorium there is a green room with access to the rear of the stage, a royal antechamber, and tavern parlours. To the west there is a painting room for scenery, which is linked to the rear of the stage by multiple entrances. Beyond this there is a nine-bay assembly room, which is divided by columnar screens, and a further three-bay assembly room, flanked by apsidal-ended rooms, set with entrance screens. To the north of the auditorium there is an oval, colonnaded ballroom, with steps leading down to a central space. This is encircled by a passageway, and has corner apses, and columnar screened entrances to the north, south, east and west. To the south of the principal block there is an additional block with a footprint as SM Adam volume 47/8, with steps linking the rotunda to the rear of the stage. To the north of the principal block there is a plan of the annexe tavern building, with a central bifurcated staircase, set with columnar screens. This leads to an apsidal-ended room with screened entrances, and is flanked by further rooms, and smaller staircases. A central bridge links to the principal block, and this is flanked by smaller apsidal-ended bridges
Scale
bar scale of 1 inch to 10 feet
Inscribed
Plan of the [Principal] story of the Opera House shewing the Pit & lower Boxes with the Ballroom & Assembly rooms, the Tavern [_ _] [_ _ _] [_ _ _ _ _ _] [_ _ _] [_ _ _ _] [_ _ _ _ _ _] [_ _ _ _] (in pencil) / No 9 (in pencil) / Painting room 24 by 32.6 / 25.6 / 15.0 / 50.0 / 15.0 / 25.6 / Grand Assembly room for Dancing, Supping, or maskd Ballroom, Card playing &tc. 139 feet long by 32.6 wide / 15.6 / 60.0 / Great Assembly room for Entertainments &tc. 89.0 by 32.6 / 7.0 / Scenes / Scenes / 17.6 diam / 9.0 / Ridotto or Cotillion room 35 by 50 / 9.0 / Green room 17 by 28 / Kings stairs / Royal antechamber 17 by 28 / Tavern Parlor 21 by 20 / Tavern Parlor 23 by 21 / Anti room or Occasional Parlor 16 by 32 / Card room or Occasional Parlor 17 by 28.6 / Queen’s Stairs / Billiard room or Occasional Par[lor] 17 by 28.6 / faint pencil inscriptions
Signed and dated
- c1789
c1789
Medium and dimensions
Pen, pencil and wash within a single ruled border on laid paper (1132 x 555)
Hand
Possibly
Office hand, possibly Robert Morison or Daniel Robertson
Office hand, possibly Robert Morison or Daniel Robertson
Verso
Notations, modern curatorial hand
Literature
Bolton, 1922, Volume II, Index p. 40
Sheppard, 1960, Volume XXIX, (i), p. 249
For a full list of literature references see scheme notes.
Sheppard, 1960, Volume XXIX, (i), p. 249
For a full list of literature references see scheme notes.
Level
Drawing
Exhibition history
Original Drawings of Robert and James Adam, Kenwood House, London, 1953
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
If you have any further information about this object, please contact us: drawings@soane.org.uk