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Reference number

SM Adam volume 44/92

Purpose

[26] Design for a church, 1766, unexecuted

Aspect

Section from west to east, through a two-storey church, with a pitched roof, and a small spire containing a bell at the east end, with a door in the end bays on the ground storey, flanking half height windows, and with arched windows on the first storey, and the central three bays are recessed, and behind a screen of Doric columns on the ground storey, and Ionic columns on the first storey, and with various pencil-drawn annotations of the bell in to top right-hand quarter of the sheet
  • image SM Adam volume 44/92

Scale

bar scale of 1 1/4 inches to 10 feet

Inscribed

Section through the Church for Mr Stewart Mackenzie (in the hand of William Adam and underwritten in pencil) (verso) 5

Signed and dated

  • 1766
    datable to 1766

Medium and dimensions

Pen, pencil, wash and pink wash on laid paper (459 x 286)

Hand

Adam office hand, possibly Robert Nasmith and William Hamilton (24-26) , with title inscription in the hand of William Adam

Watermark

IV

Literature

Bolton, 1922, Volume II, Index p. 56
King, 2001, Volume II, p. 67
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).