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  • image SM 53/2/49

Reference number

SM 53/2/49

Purpose

[230] Revised design, Vice Chancellor's Court, 15 November 1822

Aspect

Plan of the upper level of the Vice Chancellor's Court, showing the oval opening to the main floor and the aedicular parapet, with detail plans of aedicules, not as executed

Scale

bar scale of 2/5 inch to 1 foot

Inscribed

Plan of a Design for / the Court for the / Vice Chancellor. / Scale of Feet / Gallery (x 2)

Signed and dated

  • 15/11/1822
    15th. Nov[embe]r. 1822.

Medium and dimensions

Pencil, wash, coloured washes of pink and orange, pen, pink pen on wove paper (553 x 327)

Hand

Soane Office

Verso

see separate entry for drawing SM 53/2/49v

Notes

The buttress of Westminster Hall, which was built into the Court's north wall, is indicated in wash. Centre lines for the axes of symmetry for the eight aedicules are drawn in pink. Timber supports laid from the side walls to the aedicules are also shown. The opening to the main floor is here as an oval, at the centre of which is drawn (with dashed lines) a rhombus. An oval has been lightly sketched (in pencil) over this.

Literature

Sawyer, 1999: p 534, footnote 1576

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).