Scale
to a scale
Signed and dated
Medium and dimensions
Pencil, wash, sepia wash, pen, within partial single border on wove paper (583 x 395)
Hand
Soane Office, draughtsman
Watermark
Weatherley & Lane / 1818
Notes
The drawing appears unrelated to any other Gothicising scheme, in that the New Law Court’s northern extent is taken back to the penultimate northern bay of Westminster Hall. Such a proposal would have necessitated the total demolition of the Court of King’s Bench and most of the Bail Court. The corner tower shown here would therefore be that of the return wing of the Stone Building, tricked out with polygonal corner turrets and Gothic windows. The idiom adopted, with large six-light windows to the ground floor set in recessed arches with quatrefoil friezes beneath, appears closer to the manner of James Wyatt than to Soane.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation.
This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).