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  • image SM Adam volume 32/103

Reference number

SM Adam volume 32/103

Purpose

[4] Finished drawing for the second (bedchamber) storey, c1771, as executed

Aspect

Plan of the second storey of a five-bay house with an irregular exterior wall to the east and with rooms facing to the south, west and north. A staircase is shown in the centre, and there is an additional closet wing to the north-east containing a further room and adjoining staircase

Scale

bar scale of 1 ½ inches to 10 feet

Inscribed

The Plan of 2 Pair Stairs floor Apsley house Hyde park conner (sic) for the Lord Chancellor

Signed and dated

  • c1771
    c1771

Medium and dimensions

Pen, pencil and wash on laid paper (318 x 402)

Hand

Possibly
Office hand, possibly Joseph Bonomi or William Hamilton

Watermark

LVG surmounted by a fleur-de-lis within a crowned cartouche

Notes

Adam volume 32/101 - 32/103 are not dated, but Lea highlights the probability they were completed after July 1771, when the plot was extended to the north and west following additional land leases made to Lord Apsley on the 13th July 1771. The plans show how the line of the south wall remains skew, and Lea suggests that this is perhaps due to the line of the park wall.

Lea notes that much of the second storey survives unaltered, enough to surmise that it was executed as designed.

Literature

Bolton, 1922, Volume II, Index p. 43
Lea, 2005, p. 8
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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