[54] Design for a clock encasement, c1778, not known to have been executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Apsley House, Piccadilly, London: plans, elevations, section and designs for the interior, and an elevation for the gatehouse, for the 2nd Earl Bathurst, 1771-1779 (56)
      - Preliminary designs and designs for clock encasements, c1778, not known to have been executed (4)

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Reference number

SM Adam volume 25/36

Purpose

[54] Design for a clock encasement, c1778, not known to have been executed

Aspect

Elevation of a clock case, with ball feet and a pedestal base. This is formed with pilasters ornamented with paterae, ram masks and a frieze of fluting, which flank the reclining figure of Time, draped and bearing a scythe. Above this there is the clock face, which is flanked by merfolk supporting festoons, and with swags and rosettes above. The case is surmounted by an urn, ornamented with a band of guilloche, masks and husks To the right - An unwashed design for the profile of the clock case

Scale

to a scale

Inscribed

Watch Case for Lady Bathurst

Signed and dated

c1778
c1778

Medium and dimensions

Pen, pencil and coloured washes including Indian yellow on laid paper (216 x 251)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Verso

Preliminary design (pencil), for a watch case?

Literature

Bolton, 1922, Volume II, Index p. 44
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).