[36] Working drawing for a chair back possibly for the great drawing room (now the portico room), 1778, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Apsley House, Piccadilly, London: plans, elevations, section and designs for the interior, and an elevation for the gatehouse, for the 2nd Earl Bathurst, 1771-1779 (56)
      - Working drawing for a chair back, possibly for the great drawing room (now the portico room), 1778. possibly executed (1)

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Reference number

SM Adam volume 17/99

Purpose

[36] Working drawing for a chair back possibly for the great drawing room (now the portico room), 1778, possibly executed

Aspect

Elevation of ornamentation for an oval chair back, with a central patera enclosed within wreaths of husks and flora. The patera has an apron of beading which suspends rosettes. All of this is enclosed within a further wreath of tubular flowers, calyx and husks To the left - Elevation of ornamentation for a chair arm, with a central paetra, calyx and flora

Scale

to a scale

Inscribed

Back of Chair for Lady Bathurst

Signed and dated

April 1778
Adelphi / April 1778

Medium and dimensions

Pen, pencil and coloured washes including pink, olive green and verdigris on laid paper (439 x 514)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Literature

Bolton, 1922, Volume II, Index p. 44
Harris, 1963 p. 57
Lea, 2005, p.12
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).