[20] Design for a candle stand for the first drawing room (now the Piccadilly room), 1779, possibly executed

Explore Collections

You are here: CollectionsOnline / [20] Design for a candle stand for the first drawing room (now the Piccadilly room), 1779, possibly executed

Browse

Robert and James Adam office drawings
- Town houses
  - London
    - Apsley House, Piccadilly, London: plans, elevations, section and designs for the interior, and an elevation for the gatehouse, for the 2nd Earl Bathurst, 1771-1779 (56)
      - Preliminary design and design for a tripod candle stand for the first drawing room (now the Piccadilly room), c1778-1779, possibly executed (2)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 17/64

Purpose

[20] Design for a candle stand for the first drawing room (now the Piccadilly room), 1779, possibly executed

Aspect

Elevation of a niche containing a tripod candle stand, as Adam vol 6/50. Below there is a preliminary plan of a tripod, with a detail of the base and winged griffin

Scale

bar scale of 1 ½ inches to 1 foot

Inscribed

Tripod for the niches in the first Drawing room at Apsley House

Signed and dated

January 1779
Janry 14 1779

Medium and dimensions

Pen, pencil, wash and cerulean blue wash on laid paper (256 x 444)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Watermark

Fleur-de-lis within a crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 44
Harris, 1963, pp.57, 84, 102
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).