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  • image SM 53/5/9

Reference number

SM 53/5/9

Purpose

[284] Preliminary survey on completion, Court of Exchequer, c March 1826

Aspect

Section through the main floor of the Court of Exchequer, looking south, with detail plan of wainscot profile, as executed

Scale

to a scale

Inscribed

N.B the opposite side of the Court corresponds / except where marked to the contrary. / A (x 2) / B D / a (x 2) / beads as usual / D three beads flush / equal (x 2) / larger (x 2) / on the other / side a false / arch / on the / other side / a window / over W[ater]. C[loset]. / 3 beads flush (x 2) / 4 1/2 set back (x 2) / 9 in reveal (x 2) dimensions given

Signed and dated

  • 15/03/1826 - 22/03/1826
    dated in accordance with corresponding entries in the Day Books

Medium and dimensions

Pencil, pink wash, on wove paper (281 x 212)

Hand

Possibly Stephen Burchell (1806 - c.1843), draughtsman

Verso

see separate entry for SM 53/5/9v

Notes

The sheet is numbered "12" in red pen at the top right-hand corner, and appears to have been detached from a bound volume. Both recto and verso drawings appear to be associated with the survey of the Law Courts undertaken by Stephen Burchell in mid-March 1826.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).