Scale
not to scale
Inscribed
Too high / x (x 2) / Plan / Inner square dimensions given
Signed and dated
- 24/04/1824
April 1824
written over an erasure Westminster Hall / April 1824.
Medium and dimensions
Pencil, on wove paper bound into volume (211 x 281)
Hand
Stephen Burchell (1806 - c.1843), draughtsman
The Day Book entry for 24 April 1824 records that Stephen Burchell was engaged in Sketching parts of Westminster / Hall.
Notes
This series of survey drawings (SM Vol 54/13 - 16; 18 - 19) may have been prepared in response to the Select Committee's criticism of the New Law Courts, and their junction with the north façade of Westminster Hall. This drawing records the carved details of niche canopies, micro-architectural features and the cusped shield frieze as restored by Soane from 1819 - 1823. Despite the intention of archaeological exactness, there are characteristics in the treatment of certain details (i.e. the foliate crockets) which mark the stonework as belonging to the early nineteenth century. Soane famously installed four pedestals from these niches onto the façade of No. 13, Lincoln's Inn Fields, and reassembled other fragments from the Old Palace of Westminster within the Monk's Yard to the rear of No. 14, Lincoln's Inn Fields.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation.
This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
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