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  • image SM Vol 48/14

Reference number

SM Vol 48/14

Purpose

[8] Survey, Courts of Exchequer, Equity, Common Pleas and offices, 7 April 1823

Aspect

Plan of the ground floor of the Courts of Exchequer, Equity and Common Pleas and adjacent offices, to the north-west of Westminster Hall

Scale

to a rough scale

Inscribed

A / Remembrancer's / record room / Exchequer Coffee House / Bar Room / Bed room (x 2) / Court / Vault / Kitchen / Court / Parlour (x 2) / Cellar / Coals / Passage / Court of Common Pleas / Wine / belonging to / the / Excheq[uer] / Coffee / House / Beer / Oliver's / Cellars / Cellar (x 2) dimensions given

Signed and dated

  • 07/04/1823
    dated in accordance with SM Vol 48/13

Medium and dimensions

Pencil, coloured washes of pink and blue, pen, on wove paper (210 x 272).

Hand

Arthur Patrick Mee (1802 - 1868), draughtsman
The Day Book entry for 7 April 1823 notes that Arthur Mee was Making Sketches of the Courts / at Westminster.

Notes

The plan covers two adjacent leaves and is numbered as two sheet (SM Vol 48/13 and SM Vol 48/12). For ease and consistency of reference it is catalogued here as two sheets. This plan covers the same area, but at the level below, as that shown in SM Vol 48/5.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).