[14] Ground floor plan, 'Design No 3', 6 November 1807

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Whitley Abbey, Coventry, Warwickshire: designs for additions and alterations for 1st Viscount Hood, 1807-1810 (43)
    - Designs made in October and November 1807 (1-15)

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Reference number

SM 35/2/32

Purpose

[14] Ground floor plan, 'Design No 3', 6 November 1807

Aspect

Ground floor plan, Design N^o.3, 6 November 1807

Scale

bar scale of 1/8 inch to 1 foot

Inscribed

as above, Plan for the Alterations and Improvements / of / Whitley Hall / The Seat of the Viscount Hood, labelled Conservatory, Lady's Dressing / Room, Dressing Room, Breakfast Room / and / Ante Room, Eating Room, Lobby, Store Closet, Housekeepers / Room, Water / Closet, Lobby, Chamber, Best Staircase, Library, Hall / Billiard Table, Lord's Room, Sky light, Corridor, Common / Staircase, Passage to Offices, Arcade, Servants Hall, Plate / Closet, Butlers Room, Bed / Room, Bed, Court, Kitchen Offices &c and dimensions given

Signed and dated

06/11/1807
(Copy) / Nov^r: 6^t^h: 1807

Medium and dimensions

Pen, pink and sepia washes, triple ruled and sepia wash border, pencil trees added, on wove paper (585 x 940)

Hand

The office Day Book has an entry for 6 November 1807 - About Perspective View of Hall / Malton, Edwards, Seward

Notes

As drawing [15].

Level

drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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