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  • image SM Adam volume 45/79

Reference number

SM Adam volume 45/79

Purpose

[2] Finished drawing for a house, unexecuted, 1783

Aspect

Basement plan and garden front elevation of a house as Adam volume 45/78, but with an alternate treatment on the central block. The central block is set over a half-height basement with tripartite windows in the end bays; surmounted by Venetian windows on the ground storey flanking a central door accessed by a tapering staircase; and with rectangular balustraded windows on the first storey and half-height windows on the second storey. The pavilions are also slightly different as they each contain a door surmounted by an oculus window. The basement plan only encompasses the central block and rear coal vault area, and contains service rooms and cellars

Scale

bar scale of 4/5 inch to 10 feet

Inscribed

Back Front of a Villa for Captain Pitts / Plan of the Ground Story / Necessary / Ashes / Arcade / Coal Vault / Small Beer / Wood Vault / Area / Shows. Knives &c. / Store rom / House keepers room / Wine Cellar / Staircase / Lobby / Wet Larder / Kitchen / Dry Larder / Pantry / Scullery and some measurements given (verso) 2 / 2

Signed and dated

  • 02/05/1783
    Adelphi / 2d May 1783

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (510 x 375)

Hand

Adam office hand, possibly Robert Adam

Watermark

JKOOL surmounted by fleur de lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 57
King, 2001, Volume II, p. 136
For a full list of literature references see schemes notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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