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  • image SM Adam volume 46/110

Reference number

SM Adam volume 46/110

Purpose

[5] Drawing for publication showing the design for a house, 1786-92, partly executed

Aspect

Ground plan as Adam volume 36/100, but with five bays of the central southern range shown, and elevation of the side (south) front. This profile elevation is composed of three blocks. The central block is a two-and-a-half-storey, three-bay block with a pitched roof, with a central tripartite entrance, surmounted by a pediment and a fan light, and set into a relieving arch; and this is flanked by windows on the ground storey, and half-height windows on the first storey, and with three oculus windows on the second storey, surmounted by a fluted frieze, with a tablet containing a shield flanked by swags. The central block is flanked by one-and-a-half-storey, three-bay, domed pavilions, with central pedimented tripartite windows within relieving arches, flanked by enclosed rosettes, and surmounted by quarter-height windows in the upper register

Scale

to a scale

Inscribed

Unknown (in the hand of William Adam and underwritten in pencil) / 43d (in pencil)

Signed and dated

  • 1786-92
    datable to 1786-92

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (160 x 244)

Hand

Adam office hand, possibly Robert Morison or Daniel Robertson, with title inscription in the hand of William Adam (underwritten in pencil)

Literature

Rowan, 1988, p. 100
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).