[8] Finished drawing for rear (south) front, c1760, unexecuted

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Robert and James Adam office drawings
- Public buildings
  - Royal College of Physicians, Edinburgh: unexecuted designs for a new hall and library, c1760, unexecuted (11)
    - Royal College of Physicians, Edinburgh: unexecuted preliminary designs and finished drawings for a new hall and library, c1760, unexecuted (11)

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Reference number

SM Adam volume 28/37

Purpose

[8] Finished drawing for rear (south) front, c1760, unexecuted

Aspect

Elevation of a two-and-a-half-storey, five-bay building, with the roofline crowned by acroteria supporting statuary, and with rustication at basement storey. The central, projecting three bays are pedimented, and there is a central basement storey entrance, with a balustrade Palladian window set within a relieving arch above. This is flanked by balustraded niches containing statuary, surmounted by roundels containing busts. All this is flanked by two-storey bays with statuary set within baulstraded niches, and panels, ornamented with rosettes and festoons, above

Scale

to a scale

Inscribed

South Front of the Library and Ground Story (in the hand of William Adam) / For the Royal College of Physicians at Edinburgh (underwritten in pencil) and some dimensions given

Signed and dated

c1760
datable to c1760

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (526 x 370)

Hand

Possibly
Adam office hand, possibly Agostino Brunias, with part title inscription in the hand of William Adam

Verso

Literature

Bolton, 1922, Volume II, Index p. 12
King, 2001, Volume II, p. 219
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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