[3] Finished drawing for the dining room, c1767, executed with alterations

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Robert and James Adam office drawings
- Country houses
  - The Great House, Low Leyton, Essex: designs for remodelling the principal rooms, for Thomas Oliver, c1767 (6)
    - Finished drawing for the dining room, c1767, executed with alterations (1)

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Reference number

SM Adam volume 50/77

Purpose

[3] Finished drawing for the dining room, c1767, executed with alterations

Aspect

Plan and laid out wall elevations for a rectangular room, with two windows in one wall, and an apsidal end opposite, containing two niches, each screened with a balustrade of two balusters, and these niches flank a door, and with a chimneypiece with console stiles, and a frieze of festoons on one side wall, and two doors on the wall opposite

Scale

to a scale

Inscribed

Drawing Room of a House for Ths Oliver Esqr / at Layton in Essex (all in the hand of William Adam) / Dining (in pencil on the hand of Arthur Bolton)

Signed and dated

c1767
datable to c1767

Medium and dimensions

Pen, pencil and wash on laid paper (715 x 514)

Hand

Adam office hand, possibly Joseph Bonomi, with title inscription in the hand of William Adam, and pencil annotation in the hand of Arthur Bolton

Literature

Bolton, 1922, Volume II, Index p. 21
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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