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  • image SM 40/2/49

Reference number

SM 40/2/49

Purpose

[35] Design for the partitions on the upper floors, 1 September 1801

Aspect

Elevations of partitions

Scale

bar scale of 3/10 inch to 1 foot

Inscribed

Messrs Praeds & Co / Fleet Street, labelled: Trussed Partitions marked A on the plan / shewing the Timbers of the Two / Pair Floor, Center of / Door, Door (3 times), A round Iron with Nutts & / Screws to go through each of / the Girders and other Timbers / as shewn by the Dotted line, The Quarters to be in one length / the height of both floors and spiked / on the plates and Braces on each / side, Partition B / Quarters spiked on, Girders 14 x 12, Door, Girders 8 x 14, Partition C / Quarters spiked on, Floor, Window, Partition, Roof, Partition D / Quarters spiked on, Floor, Door, Partition, Roof, Partition E / Quarters spiked on, Floor, Door (twice), Partition F, Partition and dimensions given

Signed and dated

  • 1 September 1801
    (Copy) Lincolns Inn Fields Septr 1st 1801

Medium and dimensions

Pen and light red wash, pricked for transfer on laid paper with two fold marks (681 x 556)

Hand

Thomas Sword
Pupil January 1799 - 1804.

Watermark

WL 1794

Notes

See also drawing [34].

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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