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  • image SM Adam volume 43/19

Reference number

SM Adam volume 43/19


[3] Finished drawing for the house, c1764


Plan of the bed chamber (second) storey of a four-by-nine-bay central block, with a portico of engaged columns across the central three bays on the principal (south) front, and a shallow, central three-bay bow on the garden (north) front, and flanked by the roofs of links, and three-by-five-bay pavilions, with the central three bays slightly projecting


bar scale of 1 inch to 10 feet


Bed Chamber Story of Buchanan House one of the Seats of / The Duke of Montrose (of Buchanan House one of the Seats of / The Duke of Montrose in the hand of William Adam and underwritten in pencil) / Store for Malt Hops &c. / Girnel (sic) Room for Flower / Staircase / Passage / Servants room / Servants Room / Servants room / Bed room / Bed Chamber / Dressing Room / Dressing Room / Bed Chamber / Bed room / Passage / Bed Chamber / Bed Chamber / Closet / Dressing room / Closet / Bed Chamber / Staircase / Servants Room / Servants Room / Passage / Servants room / Servants Room / Servants room and measurements given

Signed and dated

  • c1764
    datable to c1764

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (1044 x 457)


Adam office hand, possibly Agostino Brunias or William Hamilton, and addition to title inscription in the hand of William Adam


5 / Duke of Montrose / 5


XD&CB within a cartouche D&CBLAUW


Bolton, 1922, Volume II, Index p. 5
King, 2001, Volume II, p. 123
For a full list of literature references see scheme notes.



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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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