[5] Drawing room, perspective design 1808

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Taymouth Castle, Kenmore, Perthshire: unexecuted designs for the interiors, for Lord Breadalbane, 1808 -1809 (17)

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Reference number

SM volume 59/111

Purpose

[5] Drawing room, perspective design 1808

Aspect

Interior perspective

Inscribed

View of the Drawing Room, Earl of Breadalbane

Signed and dated

00/00/1808
1808

Medium and dimensions

Pen, sepia, yellow and blue washes, with triple ruled and sepia wash border (340 x 429)

Hand

The office Day Book has an entry under 7 June 1808 - 'Lord Breadalbane / Copying internal Sketch / for fitting out of the Dining / Room / Edwards' which suggests Francis Edwards (1784-1857, improver July 1806-October 1810) as the draughtsman for this drawing - and probably the other drawings in this volume (59) for Taymouth Castle.

Notes

The design corresponds with that shown in drawings [4] and [6]. Added are eight chairs with draped seats, two couches, two sculpted figures on pedestals and blue fringed drapes to the windows. A tall and ornate mirror has been placed over the chimney-piece, walls are painted yellpw and a large carpet covers the entire floor.

Level

drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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