Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [8] Design for a bridge, 1758-70, unexecuted

Browse

  • image SM Adam volume 51/13

Reference number

SM Adam volume 51/13

Purpose

[8] Design for a bridge, 1758-70, unexecuted

Aspect

Elevation of a bridge, composed of three rusticated, semicircular arches, with lion masks in the spandrels, and surmounted by a balustrade, and supported by four piers containing sculpture-filled niches, and ornamented with festoons, and rectangular rinceau panels, and surmounted by sculptures: the outer piers having sphinxes, and the inner piers having reclining figures of Bacchus with cornucopia, and with abutments terminating in pedestals supporting urns, and with pencil annotations showing part of a landscape

Scale

to a scale

Inscribed

Mr Beckford (in the hand of William Adam and underwritten in pencil)

Signed and dated

  • 1758-1770
    Date range: 1758-70

Medium and dimensions

Pen, pencil and wash on laid paper (1094 x 495)

Hand

Adam office hand, possibly William Hamilton, title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 13
King, 2001, Volume II, p. 218
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).