[10] Finished drawing for a second scheme for the house, 1765-74, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Fennells Place, Ewell, Surrey: unexecuted designs for a house, interior works, and rustic offices, for Anthony Chamier, 1765-74 (14)
    - Preliminary design and finished drawings for a second scheme for the house, 1765-74, unexecuted (6)

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Reference number

SM Adam volume 42/96

Purpose

[10] Finished drawing for a second scheme for the house, 1765-74, unexecuted

Aspect

Elevation of the principal front of a house with a two-and-a-half-storey, five-bay central block, with a hipped roof, and the central three bays slightly projecting, and surmounted by a pediment, with straight stairs leading to a central entrance on the first storey in the form of a Venetian window within a relieving arch, and flanked by urn-filled niches. The central block is flanked by single-storey, arcaded quadrant links, and one-and-a-half-storey, five-bay pavilions, with pitched roofs across the central three bays, and pyamidal roofs across the projecting end bays, with half height windows in the upper register, and with arches in the end bays

Scale

bar sale of 7/8 inch to 1 foot

Inscribed

South Front of Fennels Place in Surry belonging to Anthony Chamier Esqr

Signed and dated

1765-1774
date range: 1765-74

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (523 x 362)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Verso

1 / 4 / 1 / 4

Watermark

IHS IVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 13
King, 2001, Volume II, p. 125
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).