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  • image SM Adam volume 42/94

Reference number

SM Adam volume 42/94


[2] Finished drawing for a scheme for the house, c1765-74, unexecuted


Plan of the principal (first) storey of a house with a five-by-four-bay central block, with a central tripartite door, flanked by niches, and accessed by straight external stairs. The central block is flanked by three-bay links, which are colonnaded on the principal front, and three-by-three-bay rectangular pavilions, and the house contains reception, domestic and service rooms


bar scale of 7/8 inch to 10 feet


Plan of the Principal Floor of Fennells Place House and Offices. / belonging to Anthony Chamier Esqr (in the hand of William Adam) / Brew house & Wash House / Laundry / Privy / Privy / Arcade / Water Closet / Lobby / Dining Room / Side board / Breakfast room / Drawing Room / Hall / Library / Lobby / Dressing Room / Arcade / Larder / Larder / Kitchen / Bake house & Back Kitchen

Signed and dated

  • 1765-1774
    date range: 1765-74

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (522 x 342)


Adam office hand, possibly William Hamilton or Joseph Bonomi, with addition to title inscription in the hand of William Adam


LVG surmounted by fleur de lis within crowned cartouche


Bolton, 1922, Volume II, Index p. 13
King, 2001, Volume II, p. 125
For a full list of literature references see scheme notes.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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