[3] Preliminary design for a conservatory, 1774, unexecuted

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Robert and James Adam office drawings
- Country houses
  - The Elms, Epsom, Surrey: designs for alterations to the house, and for the interior, and unexecuted designs for estate buildings, for Anthony Chamier, 1774-76 (15)
    - Designs for the park
      - Alternative preliminary designs and finished drawing for a conservatory, 1774, unexecuted (3)

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Reference number

SM Adam volume 21/127

Purpose

[3] Preliminary design for a conservatory, 1774, unexecuted

Aspect

Rough part plan, elevation and profile of a single-storey, seven-by-three-bay conservatory, on a deep stylobate with a central staircase on the principal and side fronts, with a hipped, glazed roof, and the central five bays articulated by terms, and with slightly projecting end bays articulated by Doric pilasters, and surmounted by an attic ornamented with an enclosed rosette and festoons, and surmounted by an urn, and each bay contains an arched window

Scale

not to scale

Inscribed

Conservatory for Antony (sic) Chamier Esqr at Epsom / One End of the Conservatory / from 30 to 40 feet long & from 20 to 24 Wide

Signed and dated

1774
datable to 1774

Medium and dimensions

Pen and pencil on laid paper (190 x 308)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 13
King, 2001, Volume II, p. 218
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).