[1] Design for a garden seat, 1774, unexecuted

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Robert and James Adam office drawings
- Country houses
  - The Elms, Epsom, Surrey: designs for alterations to the house, and for the interior, and unexecuted designs for estate buildings, for Anthony Chamier, 1774-76 (15)
    - Designs for the park
      - Variant designs for a garden seat, 1774, unexecuted (2)

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Reference number

SM Adam volume 19/154

Purpose

[1] Design for a garden seat, 1774, unexecuted

Aspect

Plan and elevation of a single-storey, single-bay segmental, pedimented garden seat, with three acroteria, a fluted frieze with a central tablet of festoons, and an arched entrance flanked by medallions, and screened by two Doric columns, and with pencil-drawn annotations, including a window, and a landscape

Scale

bar scale of 2/5 inch to 1 foot

Inscribed

Mr Chamier (in feint pencil)

Signed and dated

1774
1774 (in feint pencil)

Medium and dimensions

Pen and pencil on laid paper (321 x 450)

Hand

Adam office hand, possibly Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 13
King, 2001, Volume II, p. 218
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).