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  • image SM Adam volume 44/44

Reference number

SM Adam volume 44/44

Purpose

[5] Design for the greenhouse, c1773, unexecuted

Aspect

Plan of a building with a central seven-bay colonnaded bow, containing a circular temple with a chimneypiece flanked by niches, and with a central door, flanked by alternating windows and niches. Behind the temple are two fireplaces feeding flues which run behind five-bay hot houses flanking the temple, which have apsidal ends at the temple end, and sheds for wood behind. The hot houses are flanked by two-storey, single-bay pavilions, with tripartite windows on the ground storey

Scale

bar scale of 1 2/5 inches to 10 feet

Inscribed

Plan of the Temple, Hot Hous's &c. / for Richard Oswald Esqr (in the hand of William Adam and underwritten in pencil) / Stair / Privy / Garden Flowers / Shed for Wood / Shed for Wood / Fire Place / Fire Place / Hot House for Vines / Temple / Hot House for Vines / Privy / Stair / Servt Room / Landing of Stair / Room for Fruit / Second Story / of the / West Wing / Garden Seeds / Second Story / of the / East Wing and some measurements given

Signed and dated

  • c1773
    datable to c1773

Medium and dimensions

Pen and pencil on laid paper (638 x 488)

Hand

Adam office hand, possibly William Hamilton, with additions to the title inscription in the hand of William Adam

Verso

2 / Number 9 (in red pen) / 9 (in pencil) / Green house hot house & Temple for Richard Oswald Esq

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 6
King, 1992, Volume II, p. 216
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).