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  • image Image 1 for SM 62/8/15
  • image Image 2 for SM 62/8/15
  • image Image 1 for SM 62/8/15
  • image Image 2 for SM 62/8/15

Reference number

SM 62/8/15

Purpose

[7] Details of cornices

Aspect

Parts of the Entrance drawn at Large (verso) the same

Scale

to a scale of 3/8 inch to 1 foot

Inscribed

Bagshot Lodge, as above, two bricks (5 times), ! brick (twice), Plaiin tiles, Ten Inch Tile, a b c d e f , Plan of Cornice, Plan of the Brick Cornice, Referenced / b. projects before a ½ Inch / d. projects before a 1 inch / c. sets back from a 3 Inches / e. is on the same face as a. / of project [torn] c. ½ Inch, For this return / see the other side (verso) Mrr James Pain / (Clerk of the Works ) / Bagshot Lodge / Bagshot Park / Single Sheet and Plan of the Cornice in the return, Section thro the small Arch / shewing the Cornice in the return, (feint pencil) Divisions of [illegible] over Doorway

Signed and dated

  • 23/19/1798
    Lincolns Inn Fields Oct. 23 1798

Medium and dimensions

Pen, sepia and light red washes on thin laid secretary paper with a hole, traces of red sealing wax (399 x 498)

Hand

Henry Hake Seward (1778 - 1848)
Pupil and assistant May 1794 - September 1808. The Soane office Day Book has 'About Drawings of / Cornice &c at large of / Entrance of Bagshot Lodge / Seward'.

Watermark

fleur de lis and JW

Notes

The use of knapped flint in a decorative way may have been new to the builder and here Soane's draughtsman gives the precise position of single bricks, two bricks, ten inch tiles and knapped flints.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).