[6] Finished drawing for a portico soffit for a garden pavilion, 1762, possibly executed

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Robert and James Adam office drawings
- Country houses
  - La Trappe (later Brandenburg House), Hammersmith, Middlesex: designs for a garden pavilion, possibly executed, and a dressing room chimneypiece for George Bubb Dodington, Lord Melcombe, 1762 (9)
    - Finished drawings for ceilings for a garden pavilion, 1762, possibly executed (3)

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Reference number

SM Adam volume 11/88

Purpose

[6] Finished drawing for a portico soffit for a garden pavilion, 1762, possibly executed

Aspect

Plan of a tripartite, rectangular, portico soffit, divided by bands of enclosed rosettes, and bordered by bands of scrolled hearts, and each square compartment contains a patera

Scale

bar scale of 7/10 inch to 1 foot

Inscribed

Design for finishing the Ceiling of the Portico & Soffite of the Entablature / For Lord Melcombe's Garden Building / at Hammersmith (For Lord Melcombe's Garden Building / at Hammersmith in the hand of William Adam) and some dimensions given

Signed and dated

1762
1762

Medium and dimensions

Pen, wash and pink wash on laid paper (400 x 264)

Hand

Adam office hand, possibly Agostino Brunias, with addition to title inscription in the hand of William Adam

Literature

King, 2001, Volume II, p. 215
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).