[2] Finished drawing for an octagonal room within a garden pavilion, 1762, possibly executed

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Robert and James Adam office drawings
- Country houses
  - La Trappe (later Brandenburg House), Hammersmith, Middlesex: designs for a garden pavilion, possibly executed, and a dressing room chimneypiece for George Bubb Dodington, Lord Melcombe, 1762 (9)
    - Finished drawings for a garden pavilion, 1762, possibly executed (5)

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Reference number

SM Adam volume 19/123

Purpose

[2] Finished drawing for an octagonal room within a garden pavilion, 1762, possibly executed

Aspect

Part plan and section, showing a rectangular, apsidal lobby, and an octagonal room with rectangular recesses, a window and a door. The section shows the aedicular door, ornamented with festoons and an enclosed oval patera, surmounted by a figurative overdoor medallion within a wreath, and flanked by walls containing recesses surmounted by portrait medallions, and with a frieze of calyx, arabesques, urns, and winged half-putti, and the coved ceiling is ornamented with arabesques, anthemia, masks, urns, rosettes and half figures

Scale

bar scale of 7/10 inch to 1 foot

Inscribed

Design of the Door Side of an Octagon Room For the Right Honble The Lord Melcombe In His Lordships Garden / near Hammersmith (In His Lordships Garden near Hammersmith in the hand of William Adam) / Part of the plan of the Room and some measurements given

Signed and dated

1762
Robt Adam Architect 1762

Medium and dimensions

Pen, wash and pink and yellow washes on laid paper (432 x 620)

Hand

Adam office hand, possibly Agostino Brunias

Literature

King, 2001, Volume II, p. 215
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).