[21] Finished drawing for a segmental table slab, 1776; it is not known if this design was executed

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Robert and James Adam office drawings
- Country houses
  - Nostell Priory, Wakefield, West Yorkshire: designs for interior decoration, alterations to the house, and buildings in the park for Sir Rowland Winn, 5th Baronet, 1765-85 (39)
    - Interior decoration: 1765-76
      - Finished drawing for a segmental table slab for an unknown room, 1776; it is not known if this design was executed (1)

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Reference number

SM Adam volume 17/27

Purpose

[21] Finished drawing for a segmental table slab, 1776; it is not known if this design was executed

Aspect

Plan of a segmental slab ornamented with a patera, enclosed within a fan ornamented with anthemia, and within a segmental frame ornamented with calyx, and beyond this is a series of alternating enclosed rosettes and cameos, all enclosed within figure-of-eight wreaths of ivy, and the slab has a border of beading, and enclosed calyx and anthemia

Scale

bar scale of 2 ¼ inches to 1 foot

Signed and dated

1776
1776

Medium and dimensions

Pen, and coloured washes including pink and verdigris on laid paper (315 x 221)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 24
Harris, 1963, p. 51
Harris, 2001, p. 355
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).