[17] Design for a ceiling for the lobby between the top hall and the saloon, c1766-72, as executed

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Robert and James Adam office drawings
- Country houses
  - Nostell Priory, Wakefield, West Yorkshire: designs for interior decoration, alterations to the house, and buildings in the park for Sir Rowland Winn, 5th Baronet, 1765-85 (39)
    - Interior decoration: 1765-76
      - Design for a ceiling for the lobby between the top hall and the saloon, c1766-72, as executed (1)

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Reference number

SM Adam volume 5/50

Purpose

[17] Design for a ceiling for the lobby between the top hall and the saloon, c1766-72, as executed

Aspect

Plan of a rectangular tripartite ceiling, with a central square compartment divided by an x-shaped arrangement formed of drops of calyx; with a central rosette, and a lunette containing an urn and rinceaux in each quarter. The central compartment is flanked by rectangular compartments each containing an enclosed rosette, flanked by festoons; and with a border, one side of which is fluted, and the other side has rosettes in the corners

Scale

bar scale of 3/5 inch to 1 foot

Signed and dated

1766-72
date range: 1766-72

Medium and dimensions

Pen and pencil on laid paper (174 x 216)

Hand

Robert Adam

Literature

Sands, 2012, Volume 2, pp. 165-166
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).