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  • image SM Adam volume 41/47

Reference number

SM Adam volume 41/47

Purpose

[16] Record drawing for a pavement for the hall, 1776, unexecuted

Aspect

Plan of a pavement for a rectangular room, with a chimneypiece flanked by doors at one end, three windows on one side, and a large apse leading to a small rectangular lobby with apsidal ends opposite. The entire pavement is composed of two different tone tiles, here shown as grey and brown, forming a pattern. The central rectangle of the floor is compartmental, with a central rosette, enclosed within a fan, and a circular frame, with triangles at each corner forming a square; and this square is framed by rectangular bands of lozenges, with a square containing an octagon in each corner; and beyond these are a segmental fan flanked by triangles forming a rectangular panel; flanked by square compartments containing lozenges enclosing rosettes. The apse is separated by a band of circles, and is ornamented with a fan framed by a band of lozenges, and further plain bands. The small lobby beyond has a central enclosed rosette, accompanied by an x-shape’ and the apses contain plain segmental bands

Scale

bar scale of 2/5 inch to 1 foot

Inscribed

Design of a Pavement for the Hall at Nostel the Seat of / Sir Rowland Winn Baronet (the Seat of / Sir Rowland Winn Baronet in the hand of William Adam and underwritten in pencil) (verso) Number twelve (in red pen)

Signed and dated

  • 01/08/1776
    Adelphi / August 1st 1776

Medium and dimensions

Pen, pencil, wash and sepia wash on laid paper (519 x 588)

Hand

Adam office hand, possibly Joseph Bonomi, with addition to title inscription in the hand of William Adam

Watermark

JWHATMAN and GR surmounted by fleur de lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 24
Harris, 2001, p. 355
Sands, 2012, Volume 2, p. 164
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).