[69] Preliminary design for a chimney board for the state bedchamber, 1778

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Robert and James Adam office drawings
- Country houses
  - Osterley Park, Hounslow, Greater London: designs for the house, interior and park for Francis Child and Robert Child, 1761-80 (126)
    - Interior decoration
      - Variant preliminary design and finished drawing for a chimney board for the state bedchamber, 1778 (2)

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Reference number

SM Adam volume 17/139

Purpose

[69] Preliminary design for a chimney board for the state bedchamber, 1778

Aspect

Elevation of a square board with a segmental figurative tablet, and vesica-shaped figurative medallions, and a ground ornamented with urns, bows, festoons, arabesques, anthemia, winged sphinxes, and tripod pedestals ornamented with festoons, anthemia and ram heads

Scale

bar scale of 2 inches to 1 foot

Inscribed

Chimney Board for the Bed Chamber at Osterly

Signed and dated

August 1778
Adelphi / 22d Augst 1778

Medium and dimensions

Pen and pencil on laid paper (406 x 291)

Hand

Adam office hand, possibly Robert Adam or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 25
Tomlin, 1972, p. 66
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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