Scale
bar scale of 1/6 inch to 1 foot
Inscribed
Messrs Peters & Co, Design for the New Buildings in Fountain Court, labelled: Strong / Closet, Door, Counting House, Warehouse (4 times), (pencil) Irish / Co[unting] Ho[use], (pencil) Shippg / Co[unting] Ho[use], (pencil) Entce, Porters Room, Court (3 times), 2nd Office, 1st Office and (pencil) some illegible inscriptions
Medium and dimensions
Pen, pencil, sepia, light red and blue washes, pricked for transfer with triple ruled sepia and black wash border on wove paper with two fold marks (508 x 693)
Hand
Soane Office
Watermark
1794 / J Whatman
Notes
This drawing shows a development of the previous design [4] which retains the curved facade (although it is here reduced to nine bays) but substantially alters the internal arrangement. The area given to the '1st' and '2nd' offices is greater than in the previous design. The most striking alteration, however, is the arrangement of the warehouses in a horseshoe-shaped plan which is an attempt to make full use of the irregular site while creating an element of regularity. Although this design has the appearance of a drawing that has been made for presentation to the client, Soane was clearly unsatisfied with the plan, making several alterations in pencil, mainly to the entrance hall, the staircase and the rooms either side of the main entrance.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
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process).