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  • image SM 33/3/B54

Reference number

SM 33/3/B54

Purpose

[43] Finished design for wall opposite chimney

Aspect

The Plan and Elevation of the Compartment opposite the Chimney / intended to contain the Shrine

Scale

to a scale of 2 inches to 1 foot

Inscribed

as above, The Marquiss of Buckingham, labelled: Looking Glass (twice), The dotted lines / shew the Shrine, Bookcase (twice), Shrine, Pedestal for / figures or / Light

Signed and dated

  • 11/11/1805
    Lincolns Inn Fields Novr 11th 1805

Medium and dimensions

Pen, green, sepia, pink and blue washes, with triple ruled and sepia washed border, slightly pricked for transfer, on wove paper (696 x 485)

Hand

The office Day Book for 11 November 1805 gives Malton and Seward as working on Stowe, that is Charles Malton (1788-?, pupil February 1802 - December 1809) and Henry Hake Seward (1778-1848, pupil and assistant May 1794 - September 1808). Malton, in particular, perhaps contributing to the 'artistic' addition of washes.

Notes

McCarthy ('Soane's "Saxon" Room at Stowe, p.139) writes 'This area was to be dressed similarly to the bookcase doors, but instead of shelving it was to contain another memento of Thomas Astle in the form of a carved wooden polyptych of the Crucifixion, also flanked by mirrored panels beneath which marble pedestals were to be placed... it is doubtful if either the portrait or polyptych were ever placed in these locations'.

Level

Drawing

Exhibition history

Soane Revisited, Sir John Soane's Museum, London, March - August 1996
Giving Our Past a Future: The Work of the World Monuments Fund Britain, Sir John Soane's Museum, London, 26 October 2012 - 26 January 2013

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).