[49] Finished drawing for a carpet for the tapestry room, 1775

Explore Collections

You are here: CollectionsOnline / [49] Finished drawing for a carpet for the tapestry room, 1775

Browse

Robert and James Adam office drawings
- Country houses
  - Osterley Park, Hounslow, Greater London: designs for the house, interior and park for Francis Child and Robert Child, 1761-80 (126)
    - Interior decoration
      - Variant finished drawing and record drawing for a carpet for the tapestry room, 1775, drawing 50 as executed (2)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 17/187

Purpose

[49] Finished drawing for a carpet for the tapestry room, 1775

Aspect

Plan of a rectangular carpet, with the hearth cut out, and with a central patera enclosed within bands of Vitruvian scroll, and laurel leaves, within an oval band intertwined with foliage emanating from four baskets, and with a patera, fan, enclosed rosettes and a band of Vitruvian scroll in each corner, and with a border of enclosed rosettes, and anthemia within scrolled hearts

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Design of a Carpet for the Tapestry Room at Osterly / Messrs Hoffman (in pencil)

Signed and dated

July 1775
Adelphi / 8t July 1775

Medium and dimensions

Pen, pencil and coloured washes including Naples yellow and pink on laid paper (477 x 443)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 25
Harris, 1963, p. 51
Stillman, 1966, p. 75
Harris, 2001, p. 173
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).