[16] Preliminary design for a curtain cornice for the eating room, 1768, executed with alterations

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Robert and James Adam office drawings
- Country houses
  - Osterley Park, Hounslow, Greater London: designs for the house, interior and park for Francis Child and Robert Child, 1761-80 (126)
    - Interior decoration
      - Preliminary design and design for a curtain cornice for the eating room, 1768, executed with alterations (2)

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Reference number

SM Adam volume 52/131

Purpose

[16] Preliminary design for a curtain cornice for the eating room, 1768, executed with alterations

Aspect

Rough elevation of a detail of a curtain cornice, with an apron of lambrequins ornamented with anthemia, and behind these a swag of curtain, and surmounted by anthemia, crockets, volutes, acanthus leaves, and feathers

Scale

not to scale

Inscribed

Curtain Cornice / (and in the hand of Arthur Bolton) Probably Osterley see vol17 (104) / Nov 4. 1768

Signed and dated

1768
datable to 1768

Medium and dimensions

Pencil on laid paper (301 x 141)

Hand

Robert Adam

Literature

For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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