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  • image SM Adam volume 41/44

Reference number

SM Adam volume 41/44

Purpose

[24] Preliminary design for alterations to the house, 1776, partly executed

Aspect

Ground plan of the house, with a thirteen-bay central block; with a central five-bay loggia flanked by paired curved staircases on the principal (east) front, and containing a central hall flanked by staircases and a circuit of reception, service and domestic rooms. The central block is flanked by three-bay links, between which on the short (north and south) ends are light-well courtyards connecting to five-bay wings. The wings on the principal (east) front have the central three bays projecting; and the wings on the garden (west) front have central three-bay bows

Scale

bar scale of ¾ inch to 10 feet

Inscribed

Plan of the Ground Story of Nostel Yorkshire The Seat of Sir Rowland Winn / Bake House / Kitchen / Scullery / Court / Larder / Pantry / Brew House / Servants Hall / Stewards Dining room / Butlers Pantry / Plate room / Closet / Vestibule / Stewards Office / Stewards Parlor / Porters room / Porters Bed room / Dub Hall / Vestible / Billiard Room / Sir Rowland’s Dressing room / Store room / Housekeepers room / Vestible / Lumber room / Gun room / Dressing room / Cold Bath / Cold Bath / Bed room / Hot Bath / Still Room / Wash House / Laundry / Scullery / Dairy and room names underwritten in pencil and measurements given

Signed and dated

  • 1776
    datable to 1776

Medium and dimensions

Pen and pencil on laid paper (865 x 504)

Hand

Adam office hand, possibly Joseph Bonomi

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 24
Harris, 2001, p. 355
King, 2001, Volume I, p. 219
Sands, 2012, Volume 1, p. 121, Volume 2, pp. 191-192
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).