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  • image SM Adam volume 39/42

Reference number

SM Adam volume 39/42

Purpose

[6] Finished alternative drawing for the house by an unknown architect, N.D., unexecuted

Aspect

Elevation of the principal (north-east) front of a two-and-a-half-storey, seven-bay central block, with a hipped, balustraded roof, with Venetian windows in the end bays on the first floor, and with a two-and-a-half-storey canted bow across the central three bays, with arched windows on the first floor, flanked by one-storey, five-bay, Doric colonnaded links, with flat roofs and surmounted by urns, and two-and-a-half-storey, seven-bay pavilions, with hipped roofs, and the central three bays projecting and surmounted by a pediment

Scale

bar scale of 1/2 inch to 10 feet

Inscribed

Front to the Lawn North East aspect / 45 (in pencil)

Signed and dated

  • N.D.

Medium and dimensions

Pen, pencil and wash on laid paper (534 x 257)

Hand

Unknown eighteenth-century architect

Verso

2 / Lord Bute / 4 Elevations 3 Plans

Watermark

IHS IVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 13
King, 2001, Volume II, p. 125
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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