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  • image SM Adam volume 41/33
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Reference number

SM Adam volume 41/33

Purpose

[4] Finished drawing for stables, c1764, unexecuted

Aspect

Plan of an eleven-bay stable block, with carriage entrances in the middle and end bays, and stables in between, and with a walled yard behind, with coach houses, and further stables at the rear

Scale

bar scale of 1 inch to 10 feet

Inscribed

Offices for the Earl of Panmure (in the hand of William Adam) and some measurements given

Signed and dated

  • c1764
    datable to c1764

Medium and dimensions

Pen and wash on laid paper (441 x 265)

Hand

Adma office hand, possibly George Richardson, with title inscription in the hand of William Adam

Verso

Number Ten (in red pen)

Watermark

IV

Literature

Bolton, 1922, Volume II, Index p. 26
King, 2001, Volume II, p. 224
Adam, 2011, p. 32
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).