[5] Finished drawing for additions to the house, 1759, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Moy House, Dyke and Moy, Moray: unexecuted designs for alterations to the house for Ludovic Grant (later Sir Ludovic Grant, 6th Baronet), 1759 (6)
    - Finished drawings for additions to the house, 1759, unexecuted (6)

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Reference number

SM Adam volume 30/39

Purpose

[5] Finished drawing for additions to the house, 1759, unexecuted

Aspect

Elevation of the principal front of a three-storey, five-bay house, with a hipped roof, with two chimney stacks, and with a central door on the ground storey, surmounted by a Diocletian window, and with a Venetian window above on the first storey, and flanked by two-storey, two-bay pavilions, with pitched roofs surmounted by chimney stacks

Scale

bar scale of 1 1/2 inches to 10 feet

Inscribed

South East Front of Moy House. One of the Seats of / Sir Ludovic Grant Baronet and some measurements given

Signed and dated

1759
datable to 1759

Medium and dimensions

Pen and wash within a single ruled border on laid paper (518 x 343)

Hand

Adam office hand, possibly the hand of Agostino Scara, or Benedetto Napoletano

Literature

Bolton, 1922, Volume II, Index p. 23
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).