[14] Finished drawing for the house, 1762, as executed

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Robert and James Adam office drawings
- Country houses
  - Hatch House (now Mersham-le-Hatch), Mersham, Kent: executed and unexecuted designs for the house and interior for Sir Wyndham Knatchbull-Wyndham, 6th Baronet, and Sir Edward Knatchbull, 7th Baronet, 1762-66 (34)
    - Alternative preliminary design, and finished drawings and a record drawing for the house, 1762, as executed (8)

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Reference number

SM Adam volume 41/102

Purpose

[14] Finished drawing for the house, 1762, as executed

Aspect

Elevation of the principal (south) front of a two-and-a-half-storey, seven-bay house, with a hipped roof, and the central three bays projecting and supporting a pediment, and with a central aedicular door on the first floor, accessed by external stairs. The central block is flanked by one-and-a-half-storey, three-bay, balustraded links, with a central window flanked by niches, and beyond are two-and-a-half-storey, three-bay pavilions, with pyramidal roofs

Scale

bar scale of 1 1/5 inches to 10 feet

Inscribed

South Front of a New Design for House & Offices for Sir Wyndham Knatchbull Wyndham Bart at Hatch in Kent and some measurements given

Signed and dated

1762
datable to 1762

Medium and dimensions

Pen and wash within a single ruled border (869 x 461)

Hand

Adam office hand, possibly Agostino Brunias

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 17
King, 2001, Volume I, p. 113
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).