[19] Record drawing for friezes for the front and back drawing rooms, and the bedchamber, ND

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Robert and James Adam office drawings
- Town houses
  - London
    - Berkeley Square, number 15 (later number 38), London: designs for interior decoration for Robert Child, 1768-76 (19)
      - Record drawing for friezes for the front and back drawing rooms, and the bedchamber, ND (1)

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Reference number

SM Adam volume 53/22 (part)

Purpose

[19] Record drawing for friezes for the front and back drawing rooms, and the bedchamber, ND

Aspect

Elevation of friezes. The frieze for the front drawing room is composed of an urn, arabesques, festoons, and half putti. The frieze for the back drawing room is composed of arabesques, rosettes, calyx, and anthemia. The frieze for the bedchamber is composed of putti holding baskets of flowers, putti riding lions, calyx, tubular flowers, and festoons

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Robert Child Esqr / First Drawing room in town / Second Drawing room / Bed Chamber / Robt Child (in pencil)

Signed and dated

Medium and dimensions

Pen and pencil on the laid paper of the folio page (293 x 469)

Hand

Adam office hand, possibly James Adam

Watermark

IVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 35
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).